For those of you following me, this is where I will (more or less) be in October:
day to day
lost in the mundane,
which is really the wild.
sometimes it takes unusual inspiration
to shake me out of the day to day.
inspiration from another’s sacrifice,
inspiration from america:
iron mike.
I hurriedly wrote the above after a staff meeting earlier this week. Mike is an average 55 year old man from Elizabethtown. He became ‘Iron Mike’ when he biked from coast to coast to raise funds for Blood:Water Mission. He found something worth fighting for, bought a bike a couple weeks before the ride began, joined the team, and rode his bike for the better part of 9 weeks telling people at gas stations, parks, churches and concerts about the men, women, and children who needed clean water in Africa. Iron Mike and his team raised a fairly impressive sum of money and impacted thousands. Beyond that, they were and continue to be inspiring. Iron Mike stopped in our office earlier this week and he encouraged our staff to continue our work and to work towards excellence.
I love what I do, and I love Africa. America is comfortable, but I let my guard down in Africa. The stories of hurt and happiness, of pain and perseverance, and of trials and triumphs of Africans are my day to day. In America it is in the pictures, proposals, and reports that I read daily, and in Africa it is all around me. It is wild and lovely, but is my day to day. In America I am surrounded by shiny windows, smooth roads, fast food, and blinking lights; consumerism. It is a constant sensory overload and yet it is uninspiring. And that is why I found Iron Mike so refreshing and incredibly inspiring. I am grateful to be in a place where I have the privilege to regularly be inspired and blessed by the Iron Mike’s of America.
Camping pictures at Picasa.
Africa is a continent, not one country or one people, but I find this to be something hard for many to truly grasp as they sit across an ocean from this grand continent. Although I understand where this misconception comes from, it makes me want to ask a Boston native about soul cooking and an LA resident why they don’t have a Jersey accent. Most of the time I refrain as I remind myself that they have not had the same privileges of travel with which I have been blessed. And, when they ask how Africa was, I tell them a word or two about the specific country from which I have just returned.
My new job puts the question, “How was Africa?” in a new context. On this trip I have visited South Africa, Zambia, Mozambique, and Kenya. Within several of these countries I have visited locations that are as diverse as Chicago and Chattanooga and Charlotte. In October I will return to visit Uganda, Rwanda, and likely Ghana.
“How was Africa?”
On this trip, the diversity and differences found within Africa seem particularly vivid. This being my first trip to Mozambique, it was fun to find the Portuguese and Brazilian influence on the country everywhere I turned. Homes are painted bright colors, music is tinted with Latin flavors, driving is relaxed, and conversation is filled with the smooth tones of Portuguese. Each country, each region is unique, but this was a new flavor for me. Kind of like traveling across America and suddenly landing oneself in Texas.
Completely distinct from the rest of this trip was Marsabit, a town and region in Northern Kenya. This is the desert region just south of Ethiopia that is largely forgotten by Kenya. The landscape is filled with igneous rocks, and desert trees and scrubs which provide little protection from the harsh sun. The main road to Ethiopia is a bumpy, dusty dirt road; it is by far the best around. Here herds of animals are life, water trips take days, women wear bright scarves, and homes are moved on camels’ back. Sort of like being time warped to a 100 years ago to visit ranchers in Montana.
When I say ‘kind of’ or ‘sort of’ like such and such, I am trying to make the differences and the vitality of life in Africa a bit more real, but I often wonder if it works. How does one take a National Geographic special that is what I have just experienced and make it anything but the two dimensional image of my photographs? Maybe if I told you stories as I unpacked my suitcase so that you could experience the mingling smells of the fresh coffee beans I bring back and laundry dirtied in the villages or if we talked as we bounced along in a four wheeler or if we sat in the hot autumn sun with music taped at villages and schools serenading us in the background, these images, these rich and vibrant cultures, would become real. Yet it is so much more complex to try and communicate an image, an understanding, stuck in my head that is constantly changing and growing. How can I blame someone for seeing Africa as one place when I, who have traveled much, struggle to make even the most simple of stories real to friends I love?
I feel as if each place I visit in Africa adds a color or a layer to an oil painting. With each visit my painting of Africa becomes more detailed, increasingly complex, and ever richer. Somehow the diversity that I experience and try to share with others fits onto one wild canvas. Yet, as I continue to add to this painting, I doubt it will ever be complete. One canvas, one painting, so many parts, sections, colors, and textures.
Maybe as my painting of Africa continues to grow in my head and in my heart, my response to the question, “How was Africa?” will change. Maybe I will simply say, “She is good.”
There is a wonderful magic about children. They have the ability to capture the heart and the soul with nothing more than a smile and a twinkle in the eye, and tonight Gladys captured my heart.
We visited a girls’ home run by one of our partners. Here the children are well clothed, have wonderful facilities, and are surrounded by people who love them. Each child comes out of a difficult situation ranging from abandonment to living on the street to abuse to lacking parents. By being family with one another, they are rising out of these difficult, seemingly hopeless situations, to live full lives. They learn the enduring power of love and hope.
Tonight as these girls sang and danced for us, little Gladys, only two and a half years old, was held in the loving arms of her new sisters and mothers. Later, as she sat next to an older girl, she stretched her small hand out to greet me. Suddenly shy, she backed away to play pick-a-boo around the edge of the table, a game that stands outside of language or culture. Then I gathered this delightful child in my arms. Over the next minutes we shared smiles and gestures and she proceeded to capture my heart.
Before leaving I sat down to sign the guest book, Gladys still in my arms. An active child engaged in the world around her, she wanted to participate in the writing. So after I signed their guest book, young Gladys signed my field notebook. Now I have two pages of scribbles that are Gladys’s two year old signature sandwiched between pages of notes from endless days of meetings. These two pages, a reminder of a child who captured my heart in a moment, might be the most precious thing that notebook holds.
